Hot room

“We never reach a goal hoped for. But we can reach a goal unhoped for. At times this can hold good surprises for me.” Hélène Cixous, Writing Blind I am trying to make something good here. I am doing it at the expense of the thing. Sometimes I forget. I wonder what could have been… Continue reading Hot room

Resort

“Every story tells of a ghost. At the end, the centre of a story is a Black Hole, but it isn’t black, and it isn’t dark. In the best case, it might gleam.” Judith Hermann, We Would Have Told Each Other Everything  What I will say is this: spring always comes. That is not what… Continue reading Resort

On living the dream

It's been two years since I started documenting my job hunt and my life at home, desperately trying to become a writer in London. The gag is I actually became a writer in London. Granted, I'm making a living writing about the legal industry — something which (and I'm not scared of my boss reading… Continue reading On living the dream

On The Archers (Sort of)

I'm still unemployed! I've uploaded a million CV's online and applied for jobs pretty much everywhere from China to Dubai. I've even (mostly) overcome my fear of escalators as a result of spending some time in London, which has been wonderfully liberating. I'm trying to make the most of my "time off" by engaging with the… Continue reading On The Archers (Sort of)

On Moonlight

  In peach-lit Miami, Moonlight shows three stages in the life of black-American Chiron. In young adolescence he finds a surrogate father figure in Juan (played by Mahershala Ali). He has abusive slurs thrown at him (including by his mother) without even knowing that they are homophobic. Juan is instrumental in the development of Chiron's character,… Continue reading On Moonlight

Robert Rauschenberg at the Tate Modern

It's a drizzly day in London when I go to see the Rauschenberg exhibition, which only makes it more surreal when I walk through the door and see Monogram (1955-59), a taxidermied Angora goat standing on a collage, in the middle of the room. The Combines form the first section of the exhibition, and are an affronting, energetic introduction… Continue reading Robert Rauschenberg at the Tate Modern